” During war, the effect of violence upon language is amplified, euphmeized; imperatives replace dialogue…as war reveals, violence harms language; it imposes silence [and] language is censored and encrypted”
– James Dawes The Language of War
As a society we follow the ‘rules’ of grammar together, we agree on a correct way of speaking and writing and therefor come to a mutual understanding of what is said and what is meant. However, what happens when we only learn something but aren’t given the opporunty to understand it? That is the relationship the majority of us have with grammar.
There is no better way to exemplify grammar manipulation then through propaganda, and there is no better way to empitomise propaganda then through war. Annabelle Lukin breaks down grammar beyond word and sentence structure in Reporting War: grammar as covert operation.
A linguist or a good journalist can use grammar to “conceal and distort real meaning.” Unfortunatly, instead of using their powers for good, they tend to be the speech writers for presidents, politicians and even US Defense Secreteries as- seen with Donald Rumsfeld.
When Rumsfield was asked to comment on the Baghdad Museum looting incident, he simply stated “stuff happens.” Camouflaged as an immature and evasisive response, his choice of words actually used the thought out technique of “middle voice.” He made the ‘looting’ a seperate entity, therefor eliminating a source of blame.
This is how the experience of war “harms language.” Grammar finds all the loopholes and moves through them relentlessly until we are in a jumbled state of passiveness. Nobody is to blame, nothing is wrong, maybe war isn’t so bad, it’s pretty good for the country isn’t it?
Knowing that a bomb can not throw itself, and a gun needs somebody to pull the trigger, why do we still so willingly accept the middle voice in writing? Because, as Luking put it, “the use of language is always ideological.”
Rather then simply a way of living, Michel Foucault explained ideology “[as] an almost ideal way of life for society.” This plays on his concept of “ideological neutrality.” We accept the “passive” and “middle” voices of the media because we want to believe what is being said.
Playing on language and grammar allows the ideal society to be ‘created’ without technically telling a lie. During times of war society is particularly susceptible to this ideological language because we, as humans, don’t want to lose hope.
And so the language of war uses the greatest cencorship tool, grammar, to create “silence.”
Bibliogrpahy
Lukin, A. “Reporting War: Grammer as Cover Operation” Dissent (2003), 14-20.
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